The second work is the most popular in the set, mainly owing to its catchy melancholy melody, a deft creation that brings to mind a sort of Latin Rachmaninov. ![]() Some translations of the title, in fact, indicate the serene, almost dreamy music here is a lamentation. The set's opening piece is an atmospheric work that suggests a lament in its lovely rocking theme and gentle rhythmic swirling in the upper register. The four works are Plantio do Caboclo (Pioneer's Song), Impressões seresteiras (Impressions of the Minstrels), Festa no sertão (Festival in the Sagebrush), and Dança do índio branco (Dance of the White Indian), each of which poses problems in translation, though the parenthetical titles provided approximate their meanings well enough. ![]() ![]() Villa-Lobos felt strongly enough about the second to reuse its material in his charming opera Magdalena (1947). The Ciclo Brasileiro (Brazilian Cycle) is comprised of four pieces that are among the composer's more compelling efforts in the piano genre.
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